Treasure Viewing

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Buckets of treasure wait for visitors in the archaeological museums of Greece.  We perused two in our recent trip: one large and one small, but each had its own highlights.

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At the Archaeological Museum of Thessaloniki, I stood in awe of this Olympic gold medal from the ancient games.

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According to the museum’s website, the Dervein Papyrus here is the oldest surviving book in Europe, enduring because it was charred in a fire.  Dating to 340 BC, it consists of theology and philosophy.  What else?  It’s from Greece.

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Classic sculpture.

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Inside the smaller Archaeological Museum of Corinth, there were phenomenal pieces of sculpture and art, like this marble garment.  A nearby quarry provided the raw material.

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Dozens of the iconic black and terra cotta pottery in all shapes and sizes stood on shelves there.  Many were from burial sites; Romans destroyed homes and their contents when they took over the area.  But they left the Temple of Apollo, because they worshipped the same god.

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Mosaics depicted mythical scenes.  Others formed borders for walkways.

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This small sculpture intrigued me because it still showed some paint.  I’d assumed all statues were white.

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A small model of  a circle game, horses pulling children in a small carriage, and a metal wagon showed that people of all times have pondered youth.  Perhaps they also took their sons and daughters to museums, educating them in the Arts…until the next army overran the country.












Wandering Greece

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Though Ephesus is across the way in Turkey, its ruins are essential to view while on a Grecian trip.

When you spend two weeks in Greece, your mind wanders as well as your feet.  The History of Western Civilization stands before you with no editorializing.  More mountains than valleys and fields loom in the background.  Olive trees present their cool blue-green leaves beside the road.  Columns, statues and mosaic walkways speak in a way all people of the world understand.

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Remains of old cemetery markers at Philippi.

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Old Roman market.  Somewhere buried nearby is the dungeon where Paul and Silas were chained, but sang anyway.

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Statue in Thessaloniki of the young conquerer, Alexander.

As we traveled north to south on the mainland and then took a short island cruise, we could see the new contradicting the ancient.  Sleek, modern hotels offering comfort and tantalizing Mediterranean fare.  Resorts beckoning the weary for a few days in the sun.  Tourists shopping for textiles and other local goods to bring home.  But not to be hidden is a very depressed economy blighted by ugly graffiti everywhere on vacant buildings.

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Modern Thessalonoki on the Aegean shore.

Image may contain: one or more people, sky, outdoor and natureTemple of Apollo at Corinth.  The only Greek temple not razed by the Romans.

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The famous Parthenon on the Acropolis of Athens.  Though we visited up close, we could also see it from the rooftop restaurant of our hotel.

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On the way to La Plaka marketplace in Athens on a Sunday afternoon.

I do not wish to make a travelogue; Rick Steves has more than taken care of those.  But I will share, in coming weeks, more glimpses of what we were fortunate to see, lost in time, wandering Greece.
















Stop Delivery

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The announcement this week that the afternoon Fort Wayne News Sentinel was going completely digital hit me like the rolled-up newspaper I never threw.  You see, I had a paper route in Angola in the late 1960s.  When seventh grade classes were done for the day,  I’d stop outside the news stand/book store, fold about forty papers in thirds, and tuck and load them in my bike basket. Then I carefully crossed the highway to the other part of town.

My route took me past the old brick post office with CCC murals on the inside, maneuvering around sidewalk corners and familiar yards.  It was a neighborhood we’d lived in earlier, and I was glad to revisit some of the streets I used to walk to school.  I even delivered a paper to our old house which my sixth grade teacher had bought.

But I didn’t throw it.  Putting down the kickstand at each house on my subscriber list, I walked up to it and placed each paper inside the door or on the top step.  I wouldn’t have been able to trust my aim from a distance, anyway.

My legs had to pump hard uphill on the block beyond the elementary school. The area wasn’t developed then, but there were a few new ranch style homes at the top.  I knew the families who lived in them; it was strange to be a service worker who came up to the door, especially when I collected money for the week.  I felt like someone else.   Forty cents earned them a little date-stamped ticket which I deperforated as I was handed my quarter, dime and nickel.

I liked coasting down that hill afterward because I could see the layout of the city blocks below, a patchwork of Cape Cod and frame houses with grass of varying heights.

One two-story house was a bit different than the rest.  I only saw its resident once or twice, as she clothespinned an envelope of forty pennies to the mailbox for me on Fridays.  Beside the door was a handprinted sign, Ironing.  She was a tiny lady with upswept hair, little glasses and an ancient housedress.  I wondered if she even got forty cents for her work.  Probably not.

If it were a hot day, on my way back I’d stop at the news stand for a Yoo Hoo chocolate drink, feeling important that I could decide how to spend my own money.

There is still a morning Fort Wayne newspaper, whose editorial page is the opposing political side of the one I used to deliver. We subscribe to it. It comes by car delivery while it is still dark. I do hope there are enough people to sustain it, who still enjoy the crackle of large pages with their coffee and who budget more time to digest the news than is allowed by electronic media. The daily afternoon paper boy or girl in small towns is becoming a thing of the past.  Though I may not have thought so at the time, I am glad to have had the experience.






Relishing the Last of Summer

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Green tomatoes may be battered and fried, as in the Fannie Flagg book, but I like them most in my grandmother’s sweet relish.  It’s been an eon since the last (and only) time I made it myself, so I take advantage of our bumper tomato crop, borrow my mother’s galvanized food grinder, buy the rest of the veggies, and dig in.

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I begin cutting peppers, tomatoes and onions to feed into the hopper as I crank the wooden handle to force them out of the circular holes. A simple machine, an inclined plane, it is still fascinating to watch as it pushes piles of mush into the pan below.

And the juice!  It drips around the vegetables, but also onto the floor like the perspiration onto my ears. Who’d have thought onions would have the most juice of all?

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There is something about a kitchen completely absorbed in putting up food the old-fashioned way. Pans are large. Knives are sharp. One sink is full of seeds and pulp. The top of the stove is completely covered as steam rises from sterilized jars. The floor grows sticky.

Holding onto the crank with one hand and the vise with the other, I watch the outdoors.  Ruby, the hummingbird, pauses in front of the patio door to let me know her juice is empty.  Flower hues, a bit more subdued than the day before, still dance in a faint breeze.  There is time to think.

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But the rest of the work is waiting.  The vegetables go into the pot, joined by sugar, vinegar and a cheesecloth bag full of spices.  They simmer and are soon ready to be poured into jars.

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If you are curious about what goes into this savory mixture, or if you by chance would like to try making some yourself, here is Grandma Porter’s recipe.  I am fortunate to have a copy in her left-handed script:

Sweet Pepper Relish

1 dozen green peppers

1 dozen red peppers

1 dozen green tomatoes

3 1/2 cups sugar

1/2 pint water

1 1/2 pints apple cider vinegar

salt to taste

pickling spices

Grind vegetables and cover with boiling water.  Let stand five minutes and drain.  Add sugar, water, vinegar, and salt.  Gather pickling spices into a cheesecloth bag and put in.  Cook for 15 minutes.  Remove the bag of spices, pour into jars and seal (jars and lids have been scalded in boiling water bath).

Oh – and I make half a recipe.  The whole thing would be out of my league.




What’ll You Give?

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Nowhere may be found more condensed treasure than at an auction. When the event is a family member’s, sweetness and sadness push in all at once.

I observed several things on the Saturday estate sale of a dear aunt. The turnout of townspeople just because they knew her. Family history traipsing in and out of rows of chairs, cabinets and pretty dishes.  Stone crocks and comforters used in daily housekeeping one hundred years past.

Sun and a nice breeze came in waves as the house on the corner stood looking out of its 1890 stained glass windows at curious antiques dealers, friends and relatives. In one ring the caller echoed, “What’ll you give…” against another ring as helpers in both places fielded the bids.

There were clues left about some pieces: notes, in drawers and pinned to quilt tops. Others had to speak their age and origin for themselves.

More recent momentos: ice skates worn on the holidays at the frozen pond down the road from the farm. Toys from the Fifties and Sixties well used by brothers, sisters and cousins.

Some things went high; some did not. I should have bought another chair. I should have separated a pair of high-buttoned shoes and a piece of irreplaceable artwork by my grandmother from boxes whose contents went above my bids.

“What’ll you give” for the memories and one’s heritage?  They are without  a price.  You cannot pay for such things.

Darn It

Does anyone do mending anymore?

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Someone wondered what one of the props was on an old TV show.  She thought it was a light bulb.  “It’s a darning egg,” someone else said.

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Of course — a darning egg.  A wooden oblong form to jam into a sock to have something to stitch over when you’re mending a heel or toe.  In use 1905.

But we don’t mend much after supper by the fire anymore. I buy new socks and use the holey ones for dust rags. When I lose a button off a shirt, it goes on top of my sewing basket for a few months.  When pants have shrunk up and their hem needs to be let out, I hang them up and forget about them.  And if jeans have a small rip, in today’s fashion world, all the better.  Most everyone hopes it will get bigger instead of hiding it until it can be fixed.

Love this idea for fixing holes in jeans--a great way to showcase some easy needleweaving. #weaving


The rule is, for sewing on a button, use two threads; for a hem, a single.  When darning a sock (or jeans like the cute example above), stitch a row of parallel thread or yarn across the hole, and weave another row at a right angle, just like those placemats in elementary school.

It’s just not like it used to be.  Thimbles are much smaller now (Was anyone else ticked off when they took that token off Monopoly?) and they make the holes in needles so hard to find.  Manufacturers of sewing supplies must be responsible.  It couldn’t be me.


Poster Children


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President Wilson’s Committee on Public Information for promoting America’s role in World War 1 was headed by George Creel, a Missouri newspaperman, who directed its 37 different divisions.  One of these, “Pictoral Publicity,” produced more than 1,000 designs for posters, cartoons and sculptures that are left for us to ponder a century later.

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A wide variety of artists worked on the posters, many of which are stunning examples of Art Nouveau.  Hues of varying shade and intensity jump from the paper, advertising the draft, bond drives, rationing and victory gardens.

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There are so many, I chose to look at some with children as their subjects.  The colors used here are soft and happy.  Messages are lighter than the rest: help Uncle Sam (whose image was just making its debut) win, ask your daddy to buy war bonds, or help our daddy “over there” by doing the same.

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What can we learn from this artwork, emphemera of history?  Certainly the design of these and more stark examples can be studied and even admired.  But the real lesson is in their intent.  Americans must do their duty.  Americans must help.  War is necessary for the good of all.

By using childish images to persuade adults, and making appeals to the youngest of audiences, did Creel cross the line?

The children of 1917 are gone.  Their children are almost gone.  The number and kinds of media which target today’s kids have exploded.  It takes even more care now to protect young minds from things on which adults have trouble making up their own.

A grave task it is, educating others about the ploys of mass media.